10/30/2022 0 Comments Rica musica dueloChapter Four pays attention in the inner cultural relationships of a country moving away from a social revolution to a modernist cultural politics, and setting the bases for a new era. Chapter Three focuses on the main period of the research, characterised by the complexity of socio-cultural and inter/national relationships. Chapter Two discusses the musical ‘revolution’ in the 1920s that set up concrete new ideas, trends, concepts, and directions towards a modernist musical environment. Thus, Chapter One offers a discussion on how the ideology of Mexican romanticism became a legacy but also a persistent tradition well into the first decades of the twentieth century. The first four chapters conform a background, and the last two consider the main subject of study. The wealth of information has provided the rudiments to analyse and to compare findings in relation to music itself. Next to this, there is a corpus of scholarly studies by musicologists, theorists, analysts, historians, sociologists, semioticians, ethnographers, among others. The methodology to approach to the complexity of such a period the main sources are musical scores, composer’s writings, and journals of that time. This dissertation is about music in Mexico in the 1930s in relation with three main issues: the cultural context around music, the development of modernism, and the creation of an identity.
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